Allison Honeycutt
Fleshsuits
Living Flesh Suit Series 1. This series investigates the contradictions of the flesh suits when worn. Wholesome/explicit, clothed/naked, public/private, art/pornography. In what context does genitalia turn from "natural" into offensive.
Living Flesh Suit Series 1. This series investigates the contradictions of the flesh suits when worn. Wholesome/explicit, clothed/naked, public/private, art/pornography. In what context does genitalia turn from "natural" into offensive.
Hair Salon is a piece that was preformed for Coagula Curatorial Gallery. Performers wear Fleahsuits as they groom themselves and each other. As the performance progressed the performers left the grooming area and flowed into improvised dance and movement.
Hair Salon is a piece that was preformed for Coagula Curatorial Gallery. Performers wear Fleahsuits as they groom themselves and each other. As the performance progressed the performers left the grooming area and flowed into improvised dance and movement.
Living Sculptures was created for the Pure Not Proper show. Each performer had a chair and was instructed to live and exist in a Fleshsuit in and around the world of their chair. They were able to interact with each other but only mildly with the audience, leaving a hint of the 4th wall.
Living Sculptures was created for the Pure Not Proper show. Each performer had a chair and was instructed to live and exist in a Fleshsuit in and around the world of their chair. They were able to interact with each other but only mildly with the audience, leaving a hint of the 4th wall.
Hair Salon; Coagula Curatorial; Kate Bush
Hair Salon; Coagula Curatorial
The Flesh Suits are an investigation in modesty, obscenity, exhibitionism, and the appropriateness of nakedness.
The Flesh Suits are an investigation in modesty, obscenity, exhibitionism, and the appropriateness of nakedness.
A custom made Flesh Suit for Adrien Daller of the band Trouble Lights.
A custom made Flesh Suit for Adrien Daller of the band Trouble Lights.
The Skins series is an investigation of aging and growing, not just in the physical sense but also mentally and emotionally. The Leg Skins are a physically representation of what we shed and leave behind as we "evolve". They also speak to the fragile nature of our human form and how it wrinkles, ripples and dimples with time and use. This series is a direct offshoot of the Fleshsuit series and has the same implications of beauty in that which we have been taught are flaws.
The Skins series is an investigation of aging and growing, not just in the physical sense but also mentally and emotionally. The Leg Skins are a physically representation of what we shed and leave behind as we "evolve". They also speak to the fragile nature of our human form and how it wrinkles, ripples and dimples with time and use. This series is a direct offshoot of the Fleshsuit series and has the same implications of beauty in that which we have been taught are flaws.
The Skin Suits series runs parallel to that of the Skins/ Leg Skins series. The Skin Suits are discarded, lonely ghosts of our former selves that we have been abandoned. But perhaps there is still some humor in these melancholy figures...
The Skin Suits series runs parallel to that of the Skins/ Leg Skins series. The Skin Suits are discarded, lonely ghosts of our former selves that we have been abandoned. But perhaps there is still some humor in these melancholy figures...
The Flesh Suits were used as costumes for "Love Letters" an installation and video piece by Lisa Lipton a.k.a. Frankie Frankie, in collaboration with Allison Honeycutt.
From performance of: Signed Your Loving Secret Admirer Collaboration for The Impossible Blue Rose Calgary, 2015
The Flesh Suits were used as costumes for "Love Letters" an installation and video piece by Lisa Lipton a.k.a. Frankie Frankie, in collaboration with Allison Honeycutt.